The Trump-Russia-Brexit Coup: It’s All Over Bar The ‘Shouting’

by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released from Berlin on 25th June 2017).

It was absolutely fascinating watching the Boris Johnson’s defence of Dominic Cummings on Sunday evening, during which the #ToryAnalytica puppet Prime Minister was perfectly at ease with ‘justifying’ his lies with text book pathological hypocrisy and hubris.

What’s even more fascinating is how the UK population seem so perfectly at ease with it. (Not for much longer I can assure you).

We working masses have become so desensitised to UK Government serial ‘incompetence’ and corruption, we’ve come to expect and indeed accept UK Government dishonesty to the point where millions of sensible people, have been worn down and disenfranchised by the relentless normalisation of political ‘Doublethink’ positions, which has only been able to succeed because #ToryAnalytica have gone largely unchallenged, through a combination of naively ineffective and complicit stenographer ‘journalism’.

An example of such ‘Doublethink’ – holding two opposing, contradictory views as a simultaneous ‘truth’ – are intelligent, informed media and political figures who claim to have voted Remain but continue to insist, with some vitriolic victimhood, that the “democratic will of the British people” be ‘respected’, despite knowing in the years since the ‘referendum’, notwithstanding the Brexit campaign illegalities and irregularities themselves, Brexit unavoidably remains a foreseeable socioeconomic catastrophe (exactly what COVID19 will deliver globally) and therefore a democracy-ending disaster – that will inevitably result in militarisation;

Because militarisation is the only possible route and manner by which Brexit could be ever be ‘delivered‘ at all, as I wrote in 2018 in ‘Brexit: All Roads to Rome – Militarisation‘;

‘That is, any ‘democratic’ decision that needs to be enforced or ‘supported’ by a Government deployment of the military [Operation Yellowhammer] in order it can maintain or secure political power via the streets, ports and infrastructure etc, is in fact in any conventional, consistent, rational-thinking and functioning democracy – a coup d’etat.’

However straightforward examples of Machiavellian duplicity can be observed amongst the hard-core Brexiteer politicians, media and commentariat proto-fascists

…who are now attempting to save their own skins by distancing themselves from their very own modern-day Goebbels, as ‘HMS Brexit’ flounders, and about to very publicly break-up on the rocks it so unexpectedly ran aground on, in Berlin on the Sunday 25th June 2017.

A real tragedy in this mess is that there are some elements of the populace – thankfully an ever diminishing minority – who not only expect and accept #ToryAnalytica’s lies on a daily basis – but revel in the dual ‘superiority-persecution complex’; the Doublethink propaganda narratives that underpinned the #BrexitCoup d’etat (and the #TrumpRussia Presidency – they’re the same failed coup).

Some it seems will ‘revel’ to the point, where the fake empowerment and manipulated victimhood that saturated the emotional-fabric of the Brexit propaganda campaign – and the subsequent #ToryAnalytica-sabotaged ‘negotiations’ – would gloatingly condemn their own grand/children to abject poverty, immiseration and therefore – conflict, perhaps even civil war.

In short, separated by time to knowingly execute their own children by proxy – for the sake of a propaganda injected ‘feelings’ manipulated by Nazi-precedented playbook.

Though not even many ordinary, non-complicit Brexiteers are going revel in #ToryAnalytica’s lies for much longer, as they too are going to take to the streets to begin the ‘shouting’.

However what’s imperative for all of us to understand beforehand, is that this was always a part of the UK Government’s agenda – to manipulate mass civil unrest, with the original plan being to have we working masses at each other’s throats – not at the occupants of Number 10 Downing Street (as was the case for other directly involved global leaders and governments and their respective populations).

This is why like or not, acknowledge it or not – #HerdImmunityIsHardBrexit.

However this strategy by itself hasn’t worked to militarise Brexit. Nor will it. Not least because of the perennial normalisation of Patriotic Programming: From Toddler to Teenager to Tabloidhood;

Such has been the effectiveness of this programming and the Thursday night happy-clappy #CommunityNation #Volksgemeinschaft ‘peoples community’ propaganda campaign;

…underpinned by a decade-long normalisation of #PatrioticPoverty propaganda, without a specific, seemingly ‘unrelated’ trigger, such as those I’ve written about in #OpFukuglaschu here or by the ‘inexplicable’ attempt to restart the dilapidated #HunterstonB nuclear reactor in 2019 – ‘herd immunity’ on its own, simply hasn’t been enough to trigger a backlash by an already Orwellian-obedient population who’ve already bought into the “new normal” Newspeak narrative.

A population amongst whom, the UK Government need to create the carnage necessary to give themselves the pretext ‘justification’ to deploy the military and in doing so, be seen to ‘re-establish’ law & order – but which will in fact be their pivotal ‘PlanB’ militarisation of Brexit – that will pin the blame on the people themselves as I’ve detailed in ‘The People’s Plague: Our ‘Failure’ To Comply With The Impossible’.

However something we’ve collectively failed to process is that the #ToryAnalytica Government’s ‘management’ of COVID19, is the actually the ‘Hostile Environment’ policy continuation of austerity; UK State-sponsored mass murder that dovetails seamlessly, to follow on from their socioeconomic-apartheid (austerity) driven deaths, delivered via their corporate-partner sanctions in order to deliberately induce mass depression, isolation and suicide. However it’s only a matter of time and #ToryAnalytica behaviours before the people realise this.

And the further realisation people are going to come to for themselves, is that the COVID19 lockdown was deliberately imposed too late in order to paint the propaganda picture necessary to manipulate greater control by frightening the wits out of the working masses, so that they could subsequently drive the fear required to maximise compliance with voluntary mass house arrest.

In short, #ToryAnalytica’s deliberate exacerbation by COVID19 ‘governance’ on this island, is the ideological extension of their ‘Hostile Environment’ by proxy; specifically by policy continuation of austerity, which rather than just being a psychosocial-engineered ‘side-effect’ of austerity – isolation – has now been imposed as a matter of ‘law’ (for we plebs) to arrive at the normalisation of isolation, designed to further induce mass depression and suicide – individual, collective and socioeconomic – forever.

These outcomes are exactly the same as those Brexit was/is designed to deliver via a crisis-capitalist coup, in preparation for #ToryAnalytica to handover asset-stripped, debt-ridden #BrexitCoup Britain, to their own US/UK corporate-government elite-estate – aka ‘Airstrip One’ – using a ‘contagion’ (& US para/military force) as I detailed and ‘predicted’ a year ago in this May 2019 piece ‘Trump & Brexit: The #DarkTriad Model for a Global Fascist Contagion’.

I developed my ‘Dark Triad’ model for fascism (below) in 2016/17 in which there are six principal emotional-behaviouralpush & pulldrivers;

Invalidate, Emasculate, Isolate, Agitate, Segregate & Amalgamate (explanations & clearer version on page 88 of the free download book);

Since Johnson’s defence of Cummings on Sunday (and again last night) I’ve seen many ordinary people and experts alike ask ‘What’s Cummings got on Boris Johnson?’

But this oversimplifies the actual power dynamic; not only because Cummings is Johnson’s ‘Atlantic Bridge’ boss (his US counterpart Bannon hasn’t just dropped off the face of the Earth) but because they all have blackmail material or ‘Kompromat’ – on each other – to some dark degree or other. That just makes common sense.

“In God We Trust, All Others We Monitor” – the motto of US Naval Intelligence – on the lanyard around Cummings neck…

It’s also highly likely that Cummings time in Russia saw meetings, quite probably working tutorials with his Russian counterpart, Putin’s puppet-master Vladislav Surkov. Tutorials which of course would include the Kompromat leverage required to keep powerful world leaders and strategists in line and agendas on track globally, even and especially in the face of going out like Saddam or Gaddafi.

This is why, in part, being unrivalled masters of the Machiavellian dark arts, Cummings & co still cling to their agenda (no doubt whilst shredding a lot of sensitive documents) and are fully capable of turning any threat into an opportunity – which they began doing with a ‘refreshing’ and ‘energetic verve’ just over a month ago.

You see Cummings took his trip to Durham & Barnard Castle (& potentially a meeting with GlaxoSmithKline) two months ago so #ToryAnalytica knew this truth was about to catch up with them.

So yesterday’s performance by Cummings trying to explain away his actions – and their “consequences” as so succinctly put by Orwell – through a series of incredulous lies, was a part of the ‘renewed’ Machiavellian misdirection propaganda campaign.

Which is why in his ‘Doublespeak’ briefing yesterday, Cummings set out, in one last desperate attempt to redeploy his worn-out playbook and deliver the political propagandists perfect trifecta;

1 Population agitation: stoking anger amongst the masses and fomenting non-compliance with lockdown measures, sustaining the ‘second wave’ (& ‘new normal’) narrative;

2 Pantomime Villain: he plays the part of the ‘Bad Guy’ in order the complicit mainstream media can pretext-engineer ‘plausibility’ in the eyes of the population, in preparation for the inevitable (attempted) militarisation. (As I laid out in my 2017 piece ‘Tedious Twitter Twaddle’, it was and remains the mainstream medianot Dominic Cummings – who were at the forefront of delivering the #BrexitCoup referendum ‘result‘).

3 Victimhood: For the minority of hard-core Brexiteers that are left, he gets to play martyr – to play ‘victim’ of the very same ‘Establishment’ he is part of – just as is their leading ideological decoy Nigel Farage, as I’ve laid out in ‘UKIP MkII – The Brexit Party: An Inconvenient Spoof’ – and Trumpian-attempt to conflate this ‘attack’ by the ‘fake news’ as being ‘anti-Brexit’, the design being to reinforce/galvanise the Brexiteer bunkered-mindset.

On a personal level, Cummings managed to repeatedly inject his “wife & child” into his narrative. This is because he knows how close he’s flown to the sun and so was attempting to ‘humanise’ himself in the hope, that people not only feel sorry for him and indeed identify with him as a ‘family man’ – but for when shit that he’s concocted himself – finally hits the fan.

Which to clarify, the lynchpin-key to successfully militarising the #BrexitCoup doesn’t solely depend on police and military brute-force but on the #ToryAnalytica mainstream media; who need the UK public and the world to believe their version of events – which will attempt to force Brexit.

However as a part of this recently concentrated continuation of Cummings population-agitation strategy, some mainstream media commentators grabbed the opportunity with both hands, having had a ‘head start’ on some of their complicit colleagues and politicians.

Somewhat ‘inexplicably’, this recent campaign has seen a number of trademark-divisive media figures, suddenly being held up as the models of journalistic ‘integrity’ – having seemingly, dramatically U-turned on their previous ideological behaviours. They haven’t. It’s every media man and woman for themselves.

And those that got the jump on their #ToryAnalytica colleagues – media and politicians – simply had closer relationship connections to the editor of the far-right SpikedOnline magazine, who unwittingly left his office server signature behind on my platform referrer;

…with just over 100 visits to my #GaslightingGilligan blog in December 2019 alone, during which he quite probably copied every single piece I’d written in order he and others could analyse them. (I was of course only too willing to let them keep visiting – without letting them know that I knew).

And so my assertion is this; December 2019 was when #ToryAnalytica media figures specifically – who unlike their politician and SpAd counterparts in the COBRA Cabinet – are not privy to aspects of State intelligence, began to realise the coup had all but failed, having been catastrophically interrupted via the German Bundes Polizei and Irish Embassy in Berlin on 25th June 2017 as I’ve detailed in this Open Letter.

Various SpikedOnline visitors, mostly from the ‘editor’ signature periodically came back to check on further articles I wrote earlier this year but promptly stopped visiting (using the SpikedOnline office server) after I deliberately let them know three months later in this piece ‘#ToryAnalytica’s #BrexitCoup Cattle Drive: The Italian Job’ on 16th March 2020, that I could see them visiting #GaslightingGilligan.

(Another significant development was that in being able to see how many times the book itself is downloaded, on the 29th April 2020, some 20+ downloads took place within minutes of each other. I surmise this was a #ToryAnalytica WhatsApp group).

So, mid-March is when they finally realised that not only was the coup finished – bar the shouting – but that they’d lost all control over both their ideologically connected Brexit and COVID19 narratives – and as a consequence, another precedented, global-propaganda narrative is about to be processed by the masses.

This sustained narrative, which in UK and Australia (& broadly speaking across western democracies) erases a full third of overall victims of domestic violencemen – is now being made to run parallel with the recent lockdown narrative. But it’s about to be dragged kicking and screaming into the light and which explains why my strap-line for #GaslightingGilligan is ‘a paradigm shift in the meaning of domestic abuse’ (and the ‘Atlantic Bridge to ‘1984’).

As such, a sort of correlative ‘litmus test’ can be applied: Those Governments around the world who’ve performed the ‘worst’ in regard to their COVID19 responses and have the highest rates of reported infection, are not only more likely to be directly involved in this global-fascist coup d’etat – but are also more likely to have an established #GenderAgenda driven media, as well draft (or even actual) #DomesticAbuse &/or ‘Misogynistic Hate Crime’ legislation in place. Why? Because;

“There’s no way to rule innocent men. The only power any government has is the power to crack down on criminals. Well, when there aren’t enough criminals, one makes them. One declares so many things to be a crime that it becomes impossible for men to live without breaking laws. Who wants a nation of law-abiding citizens? What is there in that for anyone? But just pass the kind of laws that can neither be observed or enforced or objectively interpreted [Misogynistic Hate Crime/#DomesticAbuse] and then you can create a nation of lawbreakers – and then you cash in on the guilt. Now that’s the system, Mr. Reardon, that’s the game, and once you understand it, you’ll be much easier to deal with”. Ayn Rand, ‘Atlas Shrugged’.

Everything we thought we knew to be true about our reality, is about to change. Everything.

Because the most powerful component of fascist propaganda, of divide and rule; of the drill-down division of societies through identity-politics, especially through a global #GenderAgenda which underpins ‘Gaslighting Gilligan‘ (the book) and which I’ve further detailed in my 2018 piece ‘Early Warning Signs of Fascism: Nr5 ‘#RampantSexism‘;

A twice 20th Century precedented propaganda campaign is being relentlessly pumped into our living-rooms, dressed up as ‘news’ and entertainment‘ on a daily basis.

It’s aim has been to toxically empower women to wear-down and mass emasculate men in order to make them more susceptible to State subservience by propaganda playbook; by demoralising, dehumanising, demonising and guilt-shaming young men into military uniform;

“Suddenly producing a large white feather, she jabbed it into his waistcoat. And in another tone, fierce and scornful she added:…”You coward! Why don’t you enlist?”

Furthermore it’s a campaign which I began tracking by monitoring its subliminal campaign forerunner in the mainstream #WhiteFeatherMedia in September 2016 – over a year before the #MeTooMatrix became ‘a thing’ in October 2017.

So what now? Well, given that two of these propaganda narratives have been so globally pervasive, the overall agenda is impossible to hide from the masses – or indeed, for the masses to hide from. Populations all over the planet will reverse engineer the propaganda to arrive at Auschwitz.

And when they do – things will get messy for a while.

In UK, reverse engineering Brexit alone will take the people back to that sudden spate of 2017 Springtime terrors (it’s all in the book) and so at worst (for the population) the only pyrrhic thread of salvation #ToryAnalytica have left, is to manufacture a mainland Britain based catastrophe; i.e. a #BlackSwan event such as #OpFukuglaschu or #HunterstonB, or perhaps even a northern France nuclear disaster such as #Flamanville and/or commit to major (illegal) war with Iran or China perhaps, led by their corrupt ‘Corpolitique‘ partners in the US.

At best (for the population – until we’re willing to wake up and take collective charge of our future) all #ToryAnalytica can do is delay their inevitable demise by maintaining our mass cognitive dissonance through Doublespeak and deliberately injected emotion-cum-confusion.

All of which so far has attempted to demoralise the general public, diminish the effects of genuine journalistic criticism (they do exist!) and thereby stem the tide or deflect altogether, interest in Cummings ‘Durham/Barnard Castle’ story – which has even more holes in it than Boris Johnson’s fake ‘brush’ with martyrdom.

Johnson and the rest of the #ToryAnalytica COBRA Cabinet, the ERG, TPA and elements of the 1922 Committee et al – will attempt to retain the services of Oberstgruppenfuhrer Cummings running the show in Downing Street, as he simultaneously attempts to coordinate with the other ‘half’ of the ‘Special Relationship’ coup d’etat #TrumpRussia regime.

Further potential delay strategies could include a ‘unifying’ Dead Cat distraction such as a manufactured medium-scale national (petrochemical, aircraft, tower-block fire) disaster…

…or a terrorist attack or even a dead royal, which will be used to compel those of us who are capable of critical thinking, to shut the fuck up and forget everything that’s gone before. So that by the time the enforced ceasefire by emotional blackmail has passed, the current issues like #CummingsGate become ‘inconsequential’, downplayed and invalidated resulting in the public being expected to ‘move on’.

Well, that’s how the gaslighting playbook has always run before but it won’t work this time. Too many people’s eyes are now firmly focused on Number 10 Downing Street – and globally at their respective Governments – who’s excuses of serial ‘incompetence’ are fast giving way to the reality of elite corruption – caught in the act.

NB – This piece is dedicated to Euan S. One of the many ordinary, ‘reluctant realists’ who have had the moral courage to process our political-ideological reality as it actually is. And whose belief and encouragement spurred me on, into putting this piece together in the face of the unrelenting tsunami of centre-left political and commentariat “intellectual cowardice” (Orwell).

++++++++++++++++++++++++++++++

“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.

#NarcissistFascist characteristics

‘Gaslighting Gilligan’ by Johnny McNeill; a contemporary dystopian ‘fiction’ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyrighted ©️ but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿

Twitter: @GasGilligan

Cummings Coronavirus ‘Stay Alert’ – Subliminal Propaganda For Skinner’s Rats

by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released via Berlin on 25th June 2017).

“The best propaganda is that which, as it were, works invisibly, penetrates the whole of life without the public having any knowledge of its propagandistic initiative”. Joseph Goebbels.

#ToryAnalytica’s Coronavirus colour shift from a red and yellow warning to a green and yellow one with black script, is yet another thread of #Volksgemeinschaft propaganda which I’ve written about in detail here.

This ‘positive’ reinforcement is Pavlov’s Dogs ‘Classical’ conditioning which is emotionally-behaviourally compelling the UK #CommunityNation to “pull together”

A still from the current & ongoing BBC Volksgemeinschaft propaganda output.

…by patriotic association stimulus, housed in the superficial #ClapForOurCarers, #ClapForTheNHS…

…and through tabloid and TV #PatrioticProgramming I’ve detailed here, exploited to invisibly ease-in under the umbrella of the current 75th anniversary of Victory in Europecommemorations‘ turned celebrations – much in the same way that the Brexit referendum itself was neatly dovetailed into the emotionalised, weaponised ‘recycling-the-carnage-by-recruiting-fresh-cannon-fodder‘ disguised as WWI Centenary ‘commemorations‘…

…and ‘celebrating‘ 100 years of the RAF, with the normalisation of the weaponisation of the once sombre, reflective poppy.

However building on Pavlovs Classical conditioning this ‘Stay Alert – Control The Virus – Save Lives’ campaign is akin to Skinner’s Operant conditioning through subliminal negative reinforcement propaganda, designed to ‘push together‘ the #CommunityNation by a specific colour coded carbon copy of the UK MoD’s 1976 to 2000 ‘Stay Alert, Stay Alive‘ campaign: https://film.iwmcollections.org.uk/record/38822

As a 25 year served ex-Squaddie myself, I’m very familiar with the new Coronavirus propaganda messaging. The new green and yellow design combined with ‘Stay Alert‘ has Dominic Cummings written all over it and is intended to evoke #Volksgemeinschaft via a subliminalfearful nostalgia’ response that will chime with the target audience: ex-British military personnel.

Specifically, the Baby Boomer & GenX military demographic who will subconsciously associate #ToryAnalytica’s new ‘Stay Alert‘ messaging with the decades-long MoD campaign that was drilled into us to combat IRA terrorism.

Like it or not, acknowledge it not (we will eventually) we’re all Pavlov’s Dogs & Skinner’s Rats sealed in an emotional-behavioural ‘pseudo-reality‘, driven by a gaslighting-propaganda State pretending to protect the very same people it can barely hide its contempt for…

…at a time when #ToryAnalytica actually need to gaslight coerce, confuse and agitate us onto the streets, to ‘break’ the ‘law’ in order they can deploy the military on mainland Britain and be seen to ‘restore’ order by the world – which will in fact be A Very British Fascist Coup to finally force Brexit.

“One does not establish a dictatorship in order to safeguard a revolution; one makes the revolution in order to establish a dictatorship”. Orwell.

++++++++++++++++++++++++++++++++++++

“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.

#NarcissistFascist characteristics

Gaslighting Gilligan‘ by Johnny McNeill; a contemporary dystopian ‘fiction’ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyrighted ©️ but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿

Twitter: @GasGilligan

The Orwellian Omission of Gaslighting Gilligan

by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released via Berlin on 25th June 2017).

“The most powerful form of lie is the omission”. Orwell.

Well, Facebook finally bottled it. Yesterday they disabled my #GaslightingGilligan page that had a following of a mere few hundred people.

Fakebook erased my page without explanation, other than the scripted rubbish they churn out as their pretext for censorship in a fast unfolding UK – and beyond – fascist Police State.

And I say ‘bottled it’ because half-a-dozen or so of my pieces were doing the rounds on group pages, three of which, the shares and clicks were going through the roof. I hadn’t seen anything like it three years of trying to expose the all-enveloping UK (& US) State-corporate propaganda machine, as the pretence of Facebook being a mere ‘social’ media platform continues to fragment on a daily basis.

“A media system wants ostensible diversity that conceals an actual uniformity”. Joseph Goebbels

Gaslighting Gilligan’s Facebook shares spiked sharply mainly because the cyclical propaganda is now making far more sense to many more ordinary people, who are becoming confident and emboldened to share my interpretations, rather than wait for one of the respected centre-left commentariat household names, who continue to ‘stay safe’ in their cyclically-reactive, pyrrhic Groundhog Day comfort zones that enable the Etonian & ‘Special Relationship’ corporate-political elite estate power, to continue to openly and evidently abuse that power – unabated.

Why are the centre-left commentariat so habitually, repetitiously sterile in their observations? Well I’m going to be undiplomatically blunt about it – because of ego – which applies to Labour, Liberal Democrat, SNP, Plaid Cymru & Green Party politicians too.

“In this country intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves”. Orwell

Individually, the ‘great and good’ simply perceive themselves as having ‘too much to lose’ compared to the ‘average Joe’. Too much to lose by way of reputation, of loss of face in front of peers or potential career earnings; all egotistical compliance frailties which are about to made moot in our fast unravelling illusion of ‘democracy‘ that they have fed into and so far, have collectively – failed abysmally.

And so to maintain their sizeable followings they defeat the very point of having such followings, as they are unable to bring themselves to step outside the herd, to back the ‘controversial’ – even when the contemporary evidence is housed in precedented history – to back #GaslightingGilligan.

But of course there’s also another Orwellian ‘O’Brien’ possibility: that some of our most popular ‘centre-left‘ celebrities – aren’t

And so if you’re waiting for a ‘political celebrity’ to take the lead in safeguarding democracy, it ain’t gonna happen. They’ve had the best part of four years to pick apart the corrupt UK (& US) elite estate, whose batons will again be raining down and cracking working class skulls before the political commentariat dare risk their personal comforts, to put their heads – their superficial reputations – above the parapet.

“Propaganda does not deceive people; it merely helps them to deceive themselves”. Eric Hoffer

So please, feel free to step outside the herd and instead of following high-profile names, follow the precedence and evidence and trust your own intuition.

I’m asking ordinary people to trust your gut instinct and to back yourselves as I did in Berlin 2017 and have done everyday since, to copy, paste and share the links below directly to your own Facebook pages; the same links that finally made Facebook – #ToryAnalytica – shit themselves…

1 – in the context of #ClapForCarers #ClapForTheNHS #ClapForBoris #CaptainTom #Flypast etc #Volksgemeinschaft #CommunityNation propaganda

‘V for ‘Volksgemeinschaft’ – A Very British Love-Hate Relationship’ (© 2020)

🇬🇧 https://wp.me/p94Aj4-1LB 🇺🇸(🇷🇺)

2

‘Boris Exclusive On His Hospital Hell | Docs were ready for me to die’. The Sun on Sunday, 3rd May 2020

‘Fascism succeeds, in part, because it taps into the human condition. Its potential – given just the right #HostileEnvironment – is in every last one of us – male or female, black or white, gay or straight, rich or poor because;

‘Fascism, steeped in pathological hypocrisy, superiority entitlement & inveterate victimhood, is the group-characteristic extension of narcissism and is the Machiavellian-patriotic, militarised business model extension of joint Government & corporate engineered crisis-capitalism’. ‘Gaslighting Gilligan’

#NarcissistFascist Characteristics (© 2017)

🇬🇧 https://wp.me/p94Aj4-dZ 🇺🇸(🇷🇺)

3

‘In the so-called 5th richest economy in the world, swathes of UK society shouldn’t be reliant upon charity at all.

However ‘charity’ is pervasive in British society because it has in fact been propaganda weaponised, not simply for financial gain but to create the normalisation of patriotic emotionalism – on local and national levels.

This energy in turn is converted into hoarded financial windfalls often for illicit Etonian & Oxbridge connected corporate-government partners, who collectively profit from and capitalise ideologically on the death and depression they themselves manufactured – principally through austerity propaganda- for which we working masses predictably became compelled to ‘pull together’; to text a tenner to a TV advert; to #Volksgemeinshaft #ClapForCarers & #ClapForNHS conflated with #ClapForBoris victimhood propaganda; and to keep filling charity buckets that were never intended to feed the poor but to feed the British exceptionalism cycle of our own emotionalised, weaponised, #PatrioticPoverty destruction;

#Emotionalise

#Irrationalise

#Patriotise (the #CommunityNation)

#Weaponise

#Militarise (*trigger*)

#Mobilise (recycle)

Psychosocial Engineering: The Tragedy-Charity Gaslight Ceremony Cycle (© 2017)

🇬🇧 https://wp.me/p94Aj4-1a3 🇺🇸(🇷🇺)

4

“In a word, they failed to take into account man’s almost infinite appetite for distractions”. Aldous Huxley.

‘Our musical choices are a healthy way to project ourselves honestly in a positive light and in particular, to express our individuality. However conversely, it’s this very same emotional power housed specifically in musical nostalgia that is being made to embody a ‘collective popular’ experience – and as such has made it a perfectly invisible, brilliantly deniable, gaslight-propaganda weapon…’

‘#ToryAnalytica’s Ten Albums Over Ten Days – Nostalgic Tourists In Our Exponentially Posted Past’ (© 2020)

🇬🇧 https://wp.me/p94Aj4-1Ov 🇺🇸(🇷🇺)

5

‘Britain Is Sticking to Brexit Plans Despite Virus Upheaval’. New York Times, 24th April 2020

‘That is, any ‘democratic’ decision that needs to be enforced or ‘supported’ by a Government deployment of the military, in order it can maintain or secure political power via the streets, ports and infrastructure etc, is in fact in any conventional, consistent, rational-thinking and functioning democracy – a coup d’etat…’

‘Brexit: All Roads to Rome – Militarisation’ (© 2018)

🇬🇧 https://wp.me/p94Aj4-Og 🇺🇸(🇷🇺)

6

‘Biggest failure in a generation: Where did Britain go wrong? | Unlike Italy, the UK had time to prepare for the coronavirus tsunami. As the death toll climbs Britain’s response has suffered from a series of deadly mistakes and miscalculations’. The Sydney Morning Herald, 3rd May 2020

‘The UK Government ‘failures’ were not mistakes or miscalculations. The self-proclaimed genius who supposedly single-handedly delivered the Brexit referendum result – Dominic Cummings – who has also been ‘sitting in’ on SAGE meetings, hasn’t suddenly become incompetent.

He’s delivering #HardBrexit.

‘Herd Immunity Is Hard Brexit’ (© 2020)

🇬🇧 https://wp.me/p94Aj4-1FN 🇺🇸(🇷🇺)

#HerdImmunityIsHardBrexit #HerdBrexit #ToryAnalytica #TickTockTroops

7

Priti Patel – ‘I’m sorry if people feel there have been failings’ over PPE’. Sky News, 11th April 2020

‘Anyone would think the UK Government – and the uniform media – are an elaborate, sophisticated propaganda regime deliberately agitating the working masses; police, medical, military and civilian – to get us to ‘bite’; to get us to turn on each other when the time is right. Just you watch how fast Brexit becomes the #ToryAnalytica COBRA Cabinet priority, with the so-called “will of the British people”. So-called ‘democracy‘ is to be paradoxically pushed over the line by military force…’

‘Gaslighting by #ToryAnalytica Tag-Team’ by #GaslightingGilligan

🇬🇧 https://wp.me/p94Aj4-1L6 🇺🇸(🇷🇺)

Other pieces I’ve written, which also have immediate relevance but which people are struggling to overcome their cognitive dissonance in order to process our political-ideological reality are;

‘Trump & Brexit: The ‘#DarkTriad’ Model for a Global Fascist Contagion’ (© 2019)

🇬🇧 https://wp.me/p94Aj4-17y 🇺🇸(🇷🇺)

‘Yellowhammer Anagram: ‘Orwell Mayhem’ by Cummings “Meltdown” Symbolism’ (© 2019)

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‘The People’s Plague: Our ‘Failure’ To Comply With The Impossible – As Dictated by Gaslighting ‘Government’ (© 2020)

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#PatrioticProgramming: Toddler to Teenager to ‘Tabloidhood’ (The Rubber Hand Illusion) (© 2017)

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‘UKIP MkII – The Brexit Party: An Inconvenient Spoof’ (© 2019)

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‘Early Warning Signs of Fascism: Nr5 #RampantSexism’ (© 2018)

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‘A Very British Fascist Coup’ (© 2017)

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“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.

Gaslighting Gilligan‘ by Johnny McNeill; a contemporary dystopian ‘fiction’ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyrighted ©️ but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿

Twitter: @GasGilligan

#ToryAnalytica’s ‘Ten Albums Over Ten Days’ – Nostalgic Tourists In Our Exponentially Posted Past

by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released via Berlin on 25th June 2017).

“The best propaganda is that which works invisibly to penetrate the whole of life, without the public having any knowledge of its propagandistic initiative”. Joseph Goebbels.

An excerpt from #GaslightingGilligan in the chapter ‘Nostalgia’ (pages 150/151);

‘Like the flatscreen panacea, Narcisstate’s Radio BU’s would flood the populous’ airwaves with pretexts created to give extended play to many, many more much older songs spanning the 60’s until early 2000’s for the Boomers through to the Millenials alike…

Musical nostalgia advertising had always been a premier selling point to draw consumers into buying products and so just a few more wouldn’t hurt. A lot more would hurt even less. All manner of all things and people past would now become their present and an emotional romanticised version of their future within Narcisstate…

Proxy platitudes filled TV, radio and ‘suggested’, ‘sponsored’ and shared social media proxy pages to universally resurrect the childhoods of all… [with] Supermarkets and malls seamlessly turned into Boomers, Gen X, Y and Z retail disco’s…’ – ‘Gaslighting Gilligan’ © 2017 (free download)

I genuinely didn’t want to write this piece and had been putting it off for a couple of weeks – until now. I procrastinated mainly because so many of my friends were enjoying sharing an important part of their past but also because people in general can get very angry at unpopular truths – and angrier still – at the messenger of such truths…

“They did not foresee what in fact has happened, above all in our Western capitalist democracies – the development of a vast mass communications industry, concerned in the main neither with the true nor the false, but with the unreal, the more or less totally irrelevant. In a word, they failed to take into account man’s almost infinite appetite for distractions“. Aldous Huxley, ‘Brave New World Revisited’, 1958

Nearly six decades later we unwittingly revel in this Brave New World where despite our innate drive not only to belong but to ‘matter’, the overwhelming majority of people always have and will always remain inescapably obscure. That’s just a fact of life on a planet that’s now nearing 8 billion souls – all with our “infinite appetite for distractions” platformed principally by broadcast media.

However as I’ve been trying to relay to people since 2017, Facebook – as part of ‘the flatscreen universe; cinematic, TV and tablet’ provided a conduit not only for individuals to matter but to electronically elevate our very existences; to be acknowledged beyond ourselves and our immediate circle and as such, It afforded us an ‘excitable’ yet relatively effortless ‘escape’ route from monotony through a dopamine driven technological platform that enabled us to acquire yet another form of instant gratification via a ‘superficial transcendence’.

Upon having this potential to sell to the entire online world ‘This is me. This is who I am’ or rather more accurately ‘This is [my version of] me. This is who [I want you to believe] I am’, literally billions of us began to partake in the third largest PsyOps campaign platform in human history – so called ‘social‘ media.

We excitedly offered up our experiences (and information!) by voluntarily projecting our lives into a vast anonymous audience. But only to present a positively cherrypicked facsimile version of ourselves in order to represent (mainly) that which was very best of us – in our equally anonymous, occasionally painful and even shameful existences. (As a 25 years served ex-Squaddie and male survivor of domestic abuse, I’ve been especially guilty of this).

However a healthy way to project ourselves honestly in a positive light and in particular, to express our individuality, is to let people know who we really are through our musical choices; through the transcendent, even spiritual influences with which we made unforgettable, profoundly emotional connections that go towards ‘summing up’ our very being.

Connections like the first album we ever saved up our pocket-money for and bought – mine was Blondie’s ‘Parallel Lines’ (thumbnail image courtesy of Chrysalis Records) – which has the emotional, as well as psycho-sexual capacity to move us so powerfully (as Debbie Harry did me) that long-forgotten but hard-wired music and lyrics can do – to transport us back in time instantly

…to a specific place that saturates us in pre/adolescent memories associated with near-tangible feelings in more normal, more innocent times which (I hope) have been mostly good for most people, that have helped define our individual character today and as I’ve alluded, we can genuinely, positively, publicly express through our musical preferences.

However conversely, it’s this very same emotional power housed specifically in musical nostalgia that is being made to embody a ‘collective popular’ experience – and as such has made it a perfectly invisible, brilliantly deniable, gaslight-propaganda weapon;

I really don’t like to be the one to break it to you all but this viral ‘Ten albums over 10 days’ initiative encouraging each of us to tag a Facebook friend and exponentially share every day, didn’t just materialise in some random spotty kids bedroom. No, this is part of invisibly vast and sustained propaganda plan that I’d been tracking and piecing together since September 2016.

“Propaganda does not deceive people; it merely helps them to deceive themselves”. Eric Hoffer

It’s another #ToryAnalytica propaganda drive sealing us within a nostalgic ‘pseudo-reality’ to transport us back to the past, “tourists in your own youth” that is designed to simultaneously, subconsciously associate and invoke childhood experiences and cherished feelings reflected in long-lost relatives, relationships, friendships and fashions – all against a selectively-romanticised backdrop of ‘better’ British times…

‘Ten albums over 10 days’ is another thread of the same pervasive #Volksgemeinschaft soap opera we’ve been sealed within, which most recently has taken the form of #ClapForTheNHS & #ClapForCarers, as well as #ClapForBoris but which itself is all rooted in the decades long drip-fed Psychosocial Engineered culture of British exceptionalism.

If you want a fuller picture of how we’ve been made “tourists in our own youth” then click my 2017 piece ‘Brexit – A Very British Cult-Film Classic Cinematic Coup’ between the flags (below my musical collage).

All I ask is that when the penny finally dropsand it will – is that you direct your individual and collective anger at the fascist propaganda proponents themselves and not at me – the mere messenger.

NB – Yes it’s tad self-indulgent but it is my blog after all and so the collage below is an honest, ‘musical sum of me’. It’s in no particular order although since first hearing them in 1991, R.E.M. have been and continue to be my spiritual mainstay and tour-guide on this plain, through the hard times and the good.

Also, yes it’s more than ten albums but then I couldn’t give a fuck for #ToryAnalytica instruction or their propaganda campaigns. Oh and don’t forget – like it or not – this 👉#TickTockTroops👈 is inevitable…

‘Brexit – A Very British Cult-Film Classic Cinematic Coup’ (2017)

🇬🇧 https://wp.me/p94Aj4-ho 🇺🇸(🇷🇺)

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“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.

#NarcissistFascist characteristics

‘Gaslighting Gilligan’ by Johnny McNeill; a contemporary dystopian ‘fiction’ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyright ©️ but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿

Twitter: @GasGilligan