by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released via Berlin on 25th June 2017).
Part One: How the symbolism of a Manhattan statue in New York is being played out across the UK and global-western democratic stage – in order to destabilise and eventually destroy these very same democracies. (30 mins)
Part Two: How this ‘stage’ relates to Alex Salmond and Nicola Sturgeon and why no other Government, Parliament, judiciary and prosecution service in the world – other than Scotland’s – are hostage to a kangaroo court trial-by-British-media, orchestrating an asymmetric bombardment in a battle for Scotland’s democratic existence – and its natural resources. (10 mins)
Part Three: Why The Crown Office and Procurator Fiscal Service (COPFS) led by Lord Advocate Wolffe, as well as Scottish & UK Government and British media personnel with varying interests in this ‘case’ have been attempting to suppress Alex Salmond’s testimony – the truth of which – will reverberate globally. (15 mins)
“The ruling class in every age have tried to impose a false view of the world upon their followers”. Orwell
This significance of placing this screenshot here will become more apparent later in the piece.
🛑 PART ONE
In October 2020 a statue titled ‘Medusa With The Head of Perseus’ presciently created in 2008 by an artist named Luciano Garbati, was erected outside New York’s Manhattan Criminal Court.
Art, quite rightly, is often motivated to turn tradition and convention on its head and indeed as an expression of freedom of will we expect it to. However occasionally artistic freedom doesn’t necessarily set out to enlighten understanding and enhance debate but is a metaphor for the time. And this statue is no exception, telling its story about the destabilisation and eventual destruction of our collective common interest; humanity.
In upending the original legend we grew up with in childhood simply from being just another normalised case of good triumphing over evil, whereby Perseus decapitated a mythological monster with snakes for hair and capable of turning men to stone with a look – this statue has turned a harmless myth into a symbol of something very real and pervasively ‘personal’.
And as such ‘dark art’ – which people can clearly see for themselves – should be processed in a ‘4-D’ context to see beyond what we perceive as irrelevant, routinely ‘invisible’ lumps of cheap metal and clay that are ‘randomly’ placed, sometimes with a plausible but deflective, pretext back-story.
This is why slaver statues erected in ‘former’ strongholds in the American Deep South and often sited in UK west coast city-ports – despite previous lawful attempts to have them removed – have been met with resistance from local authorities who’ve allowed them to remain standing.
‘Decolonise History’; Statue of Sir Francis Drake, 16th century explorer, trader & slaver in his birthplace of Tavistock.
Lionised slaver statues aren’t simply a memorial ‘tribute’ to individuals who profiteered from this stain on humanity – with the dark parts subsequently erased by State school indoctrination – but are a Machiavellian symbol of continuity and of the old-guard normalisation of inhumane ‘values’ and systems; by way of a ‘territorial pissing’ expression of invisible, yet ongoing identity politics and perennial divide and rule power being waved in our naive, childlike faces.
Which is why Garbati’s piece depicting Medusa with a mans severed head in one hand and sword in the other, standing outside the very same Manhattan Criminal Court where Harvey Weinstein was tried and found guilty – is a very dark and deliberate symbolic expression of this ongoing power. Ongoing, because despite the empty emotional empowerment rhetoric, power hasn’t suddenly been gifted to ‘all women’ but is still firmly gripped by the elite estate using women, in order the elite can ‘outsource’ the domestic destruction of their most dangerous competition; working class men.
In the interests of balance, with the backstory for its specific location-siting having been suggested to Garbati, it’s possible he’s oblivious to the darker meaning behind it. However this piece of artistic serendipity to have Medusa lob-off Perseus’s napper, not only appears to be far too perfectly primed for the #MeToo age (coining-in a tidy income with spin-off 12inch replicas at $750 a pop) but is, as both a statue and its specific location, symbolic Machiavellian theatre for a time-immemorial, man-made, superficial-pendulum power-shift that is by technologically upgraded propaganda playbook, once again being ‘Suffragette’ engineered by the elitist class to drive the normalised mass emasculation of men for a precedented purpose.
Suffragette ‘White Feather Women’ propaganda depiction reads; ‘Suddenly producing a large white feather, she jabbed it into his waistcoat. And in another tone, fierce and scornful she added:… “You coward! Why don’t you enlist?”
Yes, it’s been done before and is currently being engineered by the 1% who own our entire UK (US, Australia & beyond) corporates, State and media interests, who have our politics sewn-up through a combination of a preloaded first-past-the-post two-horse race system, saturated with their red and blue Party plants (some of whom are without doubt SpAds) whose role is to blackmail or ‘befriend’ rival leadership figures and their lackeys.
And so forever immune to the consequences that periodically beset working class society, the British elite-estate sit in the eye of their own storm, observing their work through this combination of old-fashioned infiltration; through kompromat; through the formation of fake friendships; but most effectively through the saturated sophistry of ideological indoctrination steeped in pre/adolescent trained bias-confirmation, which is simultaneously recycled and reinforced by media propaganda underpinned by University and Ivy League College campus narcissistic-victimhood ‘activism’.
Which in the 21st century – as the ‘test subject’ products of inter-generational propaganda – is often a mask desperate to belong or to matter and little more than innate ego-defence and coping mechanisms manifesting in sub/conscious emotional-behavioural sublimation and/or overcompensation, steeped in individual and collective intellectual insecurity – all of which is cumulatively seeded in Karpman’s Drama Triangle…
“The conscious and intelligent manipulation of the organized habits and opinions of the masses is an important element in democratic society. Those who manipulate this unseen mechanism of society constitute an invisible government which is the true ruling power of our country”. Edward Bernays – ‘Crystallising Public Opinion’ (1923).
… and which in general terms was used to tap into the human condition; housed in the everyday dance-off dynamic taking place between the intra-personal and inter-personal relationships, which was made propaganda political to create the toxic ballet between the self-destructive ‘empowerment’ of Persecutor, the patriotic-militarism martyrdom of Rescuer and the most prevalent emotional messaging of all which was the foundation of the #ToryAnalytica (& #TrumpPutin) #BrexitCoup propaganda strategy – the self-righteous, ‘superiority-persecution complex’ engineered nature of Victimhood (as I’ve described by dystopian ‘fiction’ at page 117 in ‘Kitchener’s Karpman Kleptocracy – The Contemporary KKK’ in ‘Gaslighting Gilligan’ (free download)…
…but which in specific, precedented ‘RAMPANT SEXISM’ propaganda terms, due to our bias-conditioning we’re emotionally and cognitively inhibited from processing the fifth bullet point (next image) on political scientist Lawrence Britt’s Early Warning Signs of Fascism – Rampant Sexism – beyond misogyny.
However as I’m going to explain, it’s way more Machiavellian imaginative than over-simplistic misogyny, with its real ‘reverse-psychology‘ guilt-shaming power having the potential in just the right ‘hostile environment’ and with a ‘nudge‘ in the right direction in just the right historic moment – to recruit entire armies.
As such, Tory policies have also been created to specifically target women in order to engineer genuine grievances, genuine victims and genuinely felt friction on the ground, to be amplified by broadcast propaganda, ‘confirmed’ as society-wide misogyny designed to #Agitate UK (& entire societies) by #GenderAgenda, which has been seamlessly dovetailed with ‘conventional’ racist, homophobic and general xenophobic identity politics projected by right-wing politicians, such as the UK Prime Minister himself.
“Fascism, steeped in pathological hypocrisy, superiority entitlement & inveterate victimhood, is the group-characteristic extension of narcissism and is the Machiavellian-patriotic, militarised business model extension of joint Government and corporate engineered crisis-capitalism’. Gaslighting Gilligan’s #NarcissistFascist Characteristics (2017)
We’ve been subjected to a drip-fed tsunami of right-wing politicians who were and still are cyclically platformed by their complicit mainstream media cohorts, meaning that posh racist and pinstriped-fascist messaging becomes ‘validated’ by these ‘respected’ outlets to drive the Overton Window ever further to the ‘Fuhreristic’ far-right, thereby enabling the UK ‘Government’ to fill the fascist space created by their own stalking horse, Nigel Farage; who was #ToryAnalytica’s ideological decoy all along.
…in order to symbiotically safeguard each other, so that fascist Tory politicians can churn out misogynistic WASPI and Rape Clause ‘stink-pit’ policies to amplify the misogynistic messaging in the first instance, with the secondary purpose designed to detrimentally impact on the lives of powerless working class women.
Women, who through this lack of control over the injustices being orchestrated against them at the hands of a corrupt State, then become frustrated and do as most people do to afford themselves a sense of empowerment; to ‘Take Back Control’ – they direct their frustration and anger along the path of least resistance.
Which in this case are equally powerless working class men who bear the brunt by association of being a mere male in the #MeToo age. Affording some brief respite for the key demographic(s) who normally get it in the neck under a fledgling fascist regime; minorities.
“For every action there’s an equal and opposite reaction”.
And whilst it pertains to motion, it is exponentially applicable to emotion. In fact it’s the “equal and opposite reaction” in the emotional and psychological context – aka gaslighting – to result in predictable behavioural responses, that fascism relies on to succeed.
I know this because I’d been monitoring ‘It’ since September 2016 and developed what I called my ‘#DarkTriad Model for Fascism’ (page 88 in the book) which in UK, under the entirely, ideologically connected guise of Austerity, Brexit and The Istanbul Convention (aka #MeToo) is a toxic-soup of six interlocking ‘push and pull’ emotional-behavioural drivers.
#Isolate (within individual & mass hive-mind)
#Agitate (attack British/US/AUS etc nationhood & conditioned belief-systems, to seed suspicion & division)
#Segregate (signposting minorities: BAME, LGBT, Muslims, gypsy’s, Jews etc)
#Amalgamate (via ‘patriotic’ victimhood / militarism messaging & martyrdom ‘#CommunityNation #Volksgemeinschaft propaganda e.g. ‘Clap for NHS/Carers etc)
All of which collectively has been psychosocial-engineered for the drill-down division of society by creating at least two sides of everything and anything – mainly housed in identity politics – in order to tap into old prejudices as well as fomenting new ones along freshly manufactured fault-lines; with the purpose of ramping-up negative emotional energy to coincide with a spark or trigger in order to militarise the model – and mobilise fascism – under a ‘unifying’, patriotic fervour.
Topless Page 3 models were introduced by the Sun in 1970, less than a year after Rupert Murdoch bought the title. The Guardian, January 2015.
However Newton’s “equal and opposite reaction” must be managed – and it is. Brilliantly. Deviously but brilliantly. Which is why with the normalisation of misogyny damage already done through the 1970’s until 2015, and knowing that Brexit (& the Trump Presidency) were going to be delivered, Murdoch himself theatrically began to relent on Page 3 in 2014 as being “old-fashioned”. And it’s why since around 2014, those four decades of UK media-normalised misogyny has been seamlessly transformed from feminist protests – through a combination of unwitting patsy’s and ideological plants – to toxically foment into a political policy ‘permissioned’ and propaganda promoted societal-disdain for all men as a class i.e. mass misandry.
“There is a really remarkable gender dimension to many of the [welfare] reforms. If you got a group of misogynists together in a room and said ‘How can we make a system that works for men but not women?’ they wouldn’t have come up with too many other ideas than what’s in place.” Philip Alston, UN Special Rapporteur on Extreme Poverty & Human Rights, November 2018.
But having been manipulated in such a devious way, we’ve essentially been ‘trained’ or ‘programmed’ to process sexism exclusively through a prism of misogyny and whereby the effects of four ‘trained’ decades worth of the “equal and opposite reaction”, has been crammed into a few short years to result in a seemingly ‘justified’ payback against all men to divide us; firstly men and women, then the men divide (and suicide) themselves often as ‘White Knight’ (Karpman’s Rescuers) or having ulterior motives to ingratiate themselves with women, within a target-rich environment.
More difficult however (I suspect) is to divide women as a demographic, who are not as easily fractured. And so on the back of #MeToo – which was always going to be turned against women too – a further #GenderAgenda strategy waiting in the wings to be injected into society by the so-called ‘left‘ to confound common sense with a preloaded propaganda term for the ‘right‘ to latch onto; ‘political correctness‘.
Yes, just like #MeToo, ‘political correctness‘ was always drip-feed designed to engineer agitation and bunkered-mindsets amongst the majority in order to imperceptibly shift the Overton Window ever farther ‘right‘ using ‘leftist PC snowflakes‘ as its Machiavellian mask; the ideological design of which was always building towards its myriad invented genders and more recently to drive the erosion of women’s rights via Transexuals ‘equal rights‘.
All of which was made to morph into a pyrrhic ’empowerment’ turned entitlement assault on inter-generational established belief-systems to destabilise the psychological and emotional well-being, physical safety and life-opportunities – particularly in publicly funded institutions, politics and sport.
In Scotland, again, a combination of British State Civil Service plants and well-meaning but misguided patsy’s are pursuing the ‘Gender Reform Act’ which as I understand it is seeding a ‘Hate Crime’ Bill with the potential to criminalise women (& men) who reject biological men self-identitying as female, from being in intimate spaces (toilets & changing rooms etc) or voice opposition to Trans-women who with all the biological advantages of being male – from taking part in female sports.
However what the patsy politicians in the infiltrated ‘Scottish’ Government don’t realise – but they must process – is that the GRA has nothing to do with helping the Trans community, but is working in tandem with the current media ‘supra-propaganda’ overload – and is in fact an ideological tool to destroy them; in the first instance and upon #ToryAnalytica’s trigger, is to set-up the LGBTQ community as a whole to be at the forefront of the white heterosexual male led backlash; who will also vent their collective mass emasculated spleen along the path of least resistance – against ALL minorities. Sound familiar?
“The process will still be continuing long after you and I are dead. Every year fewer and fewer words, and the range of consciousness always a little smaller. Even now, of course, there’s no reason or excuse for commiting thought-crime. It’s merely a question of self-discipline, reality-control. But in the end there won’t be any need even for that. . . . Has it ever occcured to you, Winston, that by the year 2050, at the very latest, not a single human being will be alive who could understand such a conversation as we are having now?” Orwell, ‘1984’.
Yet we can’t or won’t see any of this predictable and indeed dystopian ‘fiction’ predicted propaganda, which our myopia, due in no small part to the pervasive #RAMPANTSEXISM misogyny messaging has created an environment where men and only men – simply because they’re men – are cowed into compliance, often employing puerile gender narratives which have not only injected ‘mansplaining’ into the arena but who are dismissed with a ‘Whataboutery’ backhand should they have the gall to voice being a survivor of domestic abuse.
“The propagandist’s purpose is to make one set of people forget that certain other sets of people are human”. Aldous Huxley
And it’s been so seamlessly normalised to match our misogynistic bias-conditioning for so long, that we collectively ignore that which we can’t consciously acknowledge; that misandry also exists on a massive scale.
Indeed normalised misandry is the vital component for an invisible weapon of mass destruction, that the elite-estate have cyclically engineered for the mass emasculation of men – which works in any society, in any age and on men and boys of any age – particularly young men of fighting age – making them more susceptible to both State and ‘societal’ subservience.
It’s all the same Imperial Britain propaganda playbook that Hitler and Goebbels subsequently refined (with a little help from their friends) to deflect the masses attention from the true cause of the carnage – the Nazi Party – enabling the men who make up the military and hold the key to the streets, to vent their spleens against those least able to defend themselves, thereby also taking the initial sting out of any potential consequences against the leadership itself.
“Propaganda must facilitate the displacement of aggression by specifying the targets for hatred”. Joseph Goebbels
All of which has enveloped us within a toxic, corrosive-collective of media-normalised misogyny, invisible mass misandry, the suppression of truth regarding there being but two biological sexes, the invention of myriad genders and pronouns now threatening to ‘Hate Crime’ curtail freedom of expression (and eventually the internet itself) which is subtly and subliminally all batted back into society by amplified broadcast media but which the confusion and anger – as is intended – spews across ‘social’ media and purchase platforms unchecked.
“The sex instinct will be eradicated. We shall abolish the orgasm. There will be no loyalty except loyalty to The Party. But always there will be the intoxication of power”. Orwell, ‘1984’.
And it’s this ‘Dark Triad’ experience to normalise the dehumanisation of men, which has engineered this surreptitious age of female (& LGBTQ) ‘empowerment’ and this so-called ‘celebration’ of women, which the Medusa sculptor and photographer themselves have explained is the ‘rationale’ for their specific court-side siting of this particular #MeToo metaphor housed in a Manhattan – symbolised by a mans severed head.
Which is why I should explain that ‘Dark Triad’ characters – men and women – who possess the three narcissistic, Machiavellian and psychopathy traits, often afford themselves some ‘fun’ or even to pass cryptic messages hidden in plain view to those in-the-know – through symbolism.
However they’re more motivated to do so because symbolism an “oven ready” drug they need to physically express, either verbally, behaviourally or through ‘art’, in order to manifest-feel the rush of power over their victim(s) often needing to wave it in their faces.
But get this. Not only is it just a mans severed head outside a court of law, if you look carefully at the background of this fortuitous shot, you’ll see that the Manhattan Criminal Court complex – also houses the Family Court.
“Men in general judge more from appearances than from reality. All men have eyes, but few have the gift of penetration”. Machiavelli
This is where you should really pay attention. Especially if you want to hold your family together. It’s evidence which you’ll probably want to dismiss because it clashes with what you already thought to be true about domestic abuse.
And it’s this; in UK (as linked here) and in Australia (as linked in the Resources page here) and broadly speaking across the western world – a full third of current domestic violence victims – are men.
“The most powerful form of lie is the omission”. Orwell
Here’s another one: husbands and boyfriends not only make up a THIRD of ALL current reported victims, compared to their female victim counterparts they are two to three times less likely to report their abusive wives and girlfriends at all (often police remove the man from the home even if they do).
“No man chooses evil because it’s evil. He only mistakes it for happiness, the good he seeks.” Mary Wollstonecraft This is Jodi Arias. In 2008 she stalked her on/off boyfriend Travis Alexander relentlessly. Immediately after photographing him in the shower she stabbed him 27 times, “slit his throat from ear to ear” and then shot him in the head. Claiming ‘self-defence’ she lied throughout her 2013 trial, during which powerful Prosecution evidence detailed graphic testimony and imagery (warning) for which she was found guilty of premeditated murder. Which begs the question: How come you’ve never heard of Jodi Arias or Travis Alexander? Answer: Because this and other cases like this tear a hole in the #MeTooMatrix to reveal that evil, psychotic behaviour and the perpetration of domestic violence is not a male issue, it’s a human issue.
We working masses are all being subjected to one of the biggest, most sustained lies humanity has ever been sold. And which the manufactured ‘truth’ of ‘It’ has buried the boring yet easily accessible empirical data in order to erase male victims of domestic violence in a seething, mass-emotional matrix; principally delivered through mainstream media working with an acidic-ocean of international agencies, governments and ‘charities‘ – all preloaded with ideological plants and engineered patsy’s, to collectively yellow-submarine seal us within an emotionalised lie.
“One of the great secrets of the day is to know how to take possession of popular prejudices and passions, in such a way as to introduce a confusion of principles which makes impossible all understanding between those who speak the same language and have the same interests”. Machiavelli.
It’s an emotionalised lie I’d been tracking across media since September 2016 but which we all came to know just over a year later by its overt title in October 2017 as #MeToo; a twice 20th century precedented propaganda campaign to divide, rule and recruit society to conflicting ‘causes’ by manipulating emotions (which is what Machiavelli is referring to in the quote above) and which today, is also doing a ‘sterling’ bang-up job of driving a wedge between the leadership of the Scottish National Party – who just so happen to be on the brink of leading Scotland to its independence – and away from the grasping clutches of the British State.
Far from just being a harmless money-spinner for the artist, ‘Medusa With The Head of Perseus’ has the hallmark of being a symbolic Machiavellian metaphor for the corrosive manufactured reality taking place across the western world, as well as other ‘democracies’ modelled along western-European lines (notably India).
“It is the absolute right of the State to supervise the formation of public opinion”. Joseph Goebbels
🛑 PART TWO
Having got rid of Jeremy Corbyn through a manufactured campaign of anti-semitism propaganda waged from within the Labour Party, from the Tories and their State and corporate mainstream media flanked by their 55 Tufton Street outriders, it is now oil and a bevy of other natural resources rich Scotland – and its majority of independence supporting population that pose the greatest democratic ‘threat’ to the British elite estate.
And so Scotland’s independence politicians find themselves being tied-up in knots by ‘Big Brother’, attacked from all sides by snakes on all sides; from independence ‘allies’ within the SNP and Tory enemies without; some of whom (so they would have us all believe) have suddenly found themselves ‘morally compelled’ to come to the defence of Alex Salmond; the very man they’ve despised and attempted to destroy for decades and which having already failed to frame and imprison him for rape – are still trying to destroy his reputation regardless.
Just as with the arson that is Brexit itself, the British State, having relit the fire which initially failed in its original attempt to incinerate Mr Salmond’s legacy – by destroying him with a divisive Parliamentary procedure invented by a British State Civil Servant ‘working for’ the ‘Scottish’ Government, which she modelled on the current reality taking place in Family Courts, specifically to put him on trial in The Crown’s courts and by kangaroo-court media – it, the British State, now acts as ‘fire-fighter’ coming to the gaslight-rescue of the ‘squabbling’ Scots, with walk-on parts for each British State politician and ‘journalist’ seen to be defending or attacking either Alex Salmond or Nicola Sturgeon – according to script.
“Who controls the past controls the future. Who controls the present controls the past”. Orwell
In the theatre of this British State production they get to pretend to be the ‘parent’ of the piece with their own Westminster & Holyrood Tories and Spectator ‘journalists’ now appearing to ‘defend’ the former First Minister, whilst their BBC, ITN and Tufton St cohorts continue to stir the agitative pot to paint Scotland as a whole as a basket-case; in order to sell to the UK population, the wider world and Hansard history their perennial propaganda trope of the ‘too poor, too wee, too stupid’ Scots being run by an ‘incapable’ devolved Government, specifically by a ‘corrupt’ SNP leadership losing control of COVID having been distracted by infighting; despite the #ToryAnalytica UK Governments futile attempts from militarise Brexit from Westminster, under the guise of COVID incompetence.
And so there’s been an elitist-profiteering crisis-capitalism effort not only to economically drive ‘Global Britain’ into the ground, but to pretext paint Scotland as a failed State whose leadership is supposedly ‘inept‘.
Whereas ‘the truth, the whole truth and nothing but the truth’ (“if we’re on a roll here”) is that the SNP leadership are being disrupted by an all-enveloping #MeToo global-media propaganda campaign designed to create fault-lines housed in #GenderAgenda identity politics, in order to fracture entire societies across the global-estate, orchestrated with multiple State’s Government’s, senior police, judiciary and prosecuting services – with the latter working directly with Women’s Aid ‘charities’; none more stark than the global-standard system set-up to facilitate ‘False Accusations in Spain’ (documentary).
Video recorded on 25th June 2018, on the first anniversary of going to Berlin and warning the German Bundes Polizei & Irish Embassy on 250617, of the inevitable #ToryAnalytica coup d’etat militarisation of Brexit and the arrival of a US/UK-led global fascism; “Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad”. Orwell, ‘1984’.
I believe Nicola Sturgeon has been gaslighted by British State plants; some whom she thought were her ‘friends’ within the SNP and within the ‘Scottish’ Government Civil Service apparatus – who no doubt reinforced the #BelieveHer messaging which followed #MeToo in late 2017 and into 2018 until this day.
Part of this puzzle is Leslie Evans, Nicola Sturgeon’s Scottish Government Permanent Secretary (a British State Civil Servant) who with advanced planning fabricated the procedural mechanisms, manipulated and coerced some of the female ‘complainants’ that she required on behalf of the British State, to drum-up the ‘case’ in the first place in order to specifically target Alex Salmond. A number of people close to Nicola Sturgeon who may have been driven by egotistical, or more accurately by a pathological ambition either for themselves or their career-allies to prevent Mr Salmond from returning to politics – have questions to answer. However it’s her husband Peter Murrell who has some of the most serious questions to answer for his central role in trying to imprison an innocent man.
As does the ‘apolitical’ Crown servant Lord Advocate Wolff who since 2016 has politicised his role(s) by inserting himself into the majority of Scottish Government Cabinet meetings and who is now instrumental in trying to suppress Alex Salmond’s testimony despite his efforts to avail everyone with the truth.
“If an injury has to be done to a man it should be so severe that his vengeance need not be feared”. Machiavelli
🛑 PART THREE
The reason Lord Advocate Wolff is trying to suppress this evidence is because the manner in which the ‘case’ was orchestrated against Alex Salmond is already the standard throughout the UK-wide (& beyond) divorce proceedings and secret Family Courts ‘system’.
This pretext normalised secret court system under the reheated gaslight-State guise of providing ‘anonymity’ and ‘safeguarding’ for women and children, is deliberately designed to prevent and silence fathers who can’t afford legal representation, nor qualify for austerity-starved Legal Aid from being able to question their accuser.
Deprived of basic legal rights and representation through a competent defence, men are subjected to an unlawful, secretive process that generally results in the fathers being removed from the family home, leaves them financially ruined, demoralised, depressed and are often cut-off from seeing and being in their children’s lives; many of whom commit suicide as a direct consequence.
“When we can cut man from his own past, then we can cut him from his family, his children, other men. There is no loyalty, except loyalty to The Party… We control life. At all levels. We create human nature. Men are infinitely malleable”. Orwell, ‘1984’.
Lord Advocate Wolffe knows all of this because he’s one of a long line who have presided over it. And also knows that in England & Wales, it’s his equivalent appointment, the Director of Public Prosecutions who from 2008 until 2013 played a key role in burying male victims of domestic abuse via criminal secret Family Courts proceedings.
That ex-DPP today is none other than the present Leader of the Labour Party – Keir Starmer, who was himself succeeded by Alison Saunders who in colluding with Women’s Aid during her corrupt tenure up until 2018, oversaw and erased the reported incidences of male victims of domestic violence being absorbed by, and included within successive ‘Violence Against Women & Girls’ reports…
Always read the small-print; ‘INCLUSIVE OF DATA ON MEN AND BOYS’ – State & media omitted.
…but which were only ever broadcast amplified by the #MeTooMatrix media……exclusively as an epidemic of one-way wife-beating traffic, in order to formalise Orwellian or ‘Randian’ domestic violence laws…
…to reflect the ‘Family’ Court system already embedded in Spain, as well as the attempt to drive ‘Misogynistic Hate Crime’ legislation in a post-Brexit coup, forever ‘country’ called Britain.
And so just like the overwhelming majority of people (certainly on the political centre-left) Nicola Sturgeon has too – with the best intentions – unquestioningly and naively bought into the emotionalism of #MeToo propaganda.
In doing so it would appear she became so enamoured with the fake-empowerment of the subliminally drip-fed campaign which preceded the sudden #MeToo ‘sisterhood’, coupled with her genuine empathy for minorities groups that have shaped her world view and that of herself to a place where unfortunately, she (in plentiful company) has compromised her position.
However so morally assured of her prism, she is unable or unwilling to process that she is currently cognitively unequipped with the knowledge necessary for introspection; to acknowledge the existence of @1inthree as empirical fact and to process that she’s inadvertently assisting the British State to set-up these same minorities for their planned backlash upon #ToryAnalytica’s own trigger.
This trigger will probably directly blame either Iran, Russia or China, or attribute an indirect act of terror by an associate-group or indeed, the US/UK ‘Special Relationship’ could start one themselves via one of their allies; perhaps engineered via Israel or a significant war between India and Pakistan, in order to create a chain of events to stage the ‘unifying’ National Emergency and the introduction of Martial Law the #ToryAnalytica #AtlanticBridge so desperately need.
And which was the original 2017 plan I named ‘#OpFukuglaschu’ staged in Scotland’s Clyde Estuary and blamed on Iran in order to simultaneously secure both countries oil in perpetuity, by militarising both mainland #BrexitCoup Britain AND the #TrumpPutin Presidency. Yes, they were (are) the same failing fascist coup.
It was (and remains) US financial and military power which were pivotal to the coup success in overthrowing ‘democracy’ in an asset-stripped 51st British Police State – aka ‘Airstrip One’ – with all profitable public services and essential utilities; water, energy, prisons, NHS i.e. anything which can be used to create and/or convert human misery into financial profit and power – a #HumanMiseryGoRound (model below) – all carved-up and handed over to US & British elite corporate-political partners.
However as part of Orwell’s predicted ‘Airstrip One‘ – Ireland wasn’t to be left out of the equation and as such, whilst Northern Ireland was to be jettisoned by the British State, a pyrrhic-‘united’ Ireland would find itself as a whole being dragged out of a crumbling European Union (which had ‘#OpFukuglaschu’ gone to plan, the Irish Border problem would never have been a ‘thing’).
And it was in this British domestic carnage setting and Martial Law environment which would see all manner of UK Parliamentary emergency legislation – including dispensing with jury trials – being passed across ‘One Nation Britain‘ to ‘coincidentally’ converge with the planned, premeditated attempt to vilify and destroy Alex Salmond. In effect, to imprison and historically ‘hang, draw and quarter‘ his personal character and political legacy by a judge-led ‘trial’ against the brutal backdrop of a global war; military recruitment for which by push and pull ‘Dark Triad’ channelling was well underway – as is a central theme throughout ‘Gaslighting Gilligan’ – with the foundations locked away in our normalised #PatrioticProgramming…
…and through the very same seamless, subliminal propaganda campaign I’d been monitoring since 2016, prior to the #MeTooMatrix becoming the overt campaign in October 2017 which was (is still) reverse-psychology reinforcing guilt-shame messaging, to further gaslight-destabilise demoralised and depressed young men (also contributing to the ‘inexplicable’, largely-invisible male suicide epidemic) who were (are) being psychologically softened-up using #MensMentalHealth issues in preparation to be handed their #PatrioticPoverty purpose on a plate and channelled to find their meaning in an #AusterityArmy uniform in order to sustain a British Police State and the mobilisation of a US/UK-led, truly global 21st century fascism.
Which again, explains why the Tories and media still persist with what we perceive as outlandish hypocritical statements, outright lies and UK Cabinet decisions and behaviours (principally COVID & Brexit corruption and cover-ups in general ) which are never properly scrutinised or held to account by so-called ‘journalists’…
…because collectively, by propaganda omission and commission, they’re all writing future history in the present as they pursue their PlanB trigger (possibly something akin to the attempted restart of #HunterstonB) after which, they intend to be the ones left standing to record this ‘history’ taken from media and written in Hansard. (And is quite probably why the current Speaker of The House could be replaced by a trained chimp and no-one would notice the difference).
And it’s also why it’s ‘make or break’ for #ToryAnalytica and indeed for the global 1% elite. Because what Alex Salmond endured (is enduring) is the finished product of a global-western ‘system’ designed to facilitate false accusations of domestic abuse, driving exaggerated statistics of ‘Violence Against Women & Girls’ for mainstream media ‘PreCrime’ amplification, in order to demonise, dehumanise and normalise the courts-judicial criminalisation of men as standard; which in turn is intended to lead to the destabilisation of the family unit – forever – and the subsequent divide and conquer fracturing of multiple societies all being gaslight set-up to be put back down – forever.
UK militarisation is inevitable. Just make sure if you’re working class – soldier or civilian – you direct your energies towards Downing Street, not innocent people on your own streets.
Yes it’s complicated. Yes it’s nothing like you ever imagined possible in your worst nightmares. But Orwell did. This thing is happening. And like it or not, it’s happening by every last man and boy’s symbolically severed head in the grip of a global-media Medusa State prosecution service and courts judiciary, who are already in the process of stealing your children to feed them into their State institutions which from the ‘Gaslighting Gilligan’ perspective, is a deliberate #PrisonMilitaryIndustrialComplex.
These things are happening – all I’ve done is give it a ‘Dark Triad’ design and a story; which by normalised #PatrioticPoverty, whether prisoners behind fifty-foot walls or prisoners of mind in a military uniform – men – in both servicing privatised prison profits for the elite-estate or serving the State, cease to present any potential threat to the established hierarchy in any significant, cohesive numbers.
“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.
‘Gaslighting Gilligan‘ by Johnny McNeill; a contemporary dystopian ‘fiction’ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyright ©️ but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿