by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released from Berlin on 25th June 2017).
“Ruins, for me, are the beginning. With the debris, you can construct new ideas. They are symbols of a beginning”. ~ Anselm Keifer
In ‘Gaslighting Gilligan’ I try to convey the gaslight-symbolism that unbridled, absolute power has to wave in our faces in order ‘It’ can get its #DarkTriad fix; its rush.
It’s a drug to them. Which is also why it’s their Achilles Heel; their ‘Kryptonite’ if you will. It is so because of an out-of-control ego running riot, spurred on by the Id. Because what’s the point of having power if ‘It’ can’t be projected? ‘It’ cannot exist in a vacuum; the Id, the ‘It’ *needs* an audience.
Corporates (mainly banks, TV marketing & the film industry), the crumbling, yet dangerous #ToryAnalytica COBRA Cabinet et al and #MSM ‘news’ moguls, bosses and presenters – are in on the gaslighting gig.
The subliminal-symbolism clues are actually quite demonstrably pervasive but unless we can comprehend of their existence; that these Machiavellian, sociopathic narcissists need to project, we remain bovine-oblivious to their drip-fed power, pretexts and preplanned agenda’s.
The ‘Brexit Revolution’
When I first saw Line 18 a month or so ago, interpreting the UK political (hostile) environment as I do, my immediate thought was that was a take on the fascist ‘Combat 18’, the alphanumerical significance being the ‘AH’ initials of one Adolf Hitler.
However this morning I dug a little deeper to try and find the the origins of how the #Line18 campaign came to be…
In this piece written by Adam Boulton, (link above) on the surface it ranges from the tedious to the ridiculous; it’s easily-forgettable drivel…
…unless we can comprehend that it’s predisposed to be written as a pretext-laden, symbolism-laced, power-trip.
Titled ‘Sky Views: The importance of re-mapping Britain’ it goes into ‘remapping borders’, fighting over said borders and paraphrases Tim Marshall; essentially to blame lines on maps for wars and not the Colonial-Imperialist powers that re-drew such maps by genocide; by ethnic-cleansing Clearances; by blood, bribes and blackmail.
And by walls too, generally purported to keep potential intruders out; from China to Mexico, when in fact keeping people in and divided; from Berlin to Belfast – has been the entire contemporary point of building ‘walls’.
But then Boulton seems to trivialise current UK-internal borders as “simply descriptive” before he moves into some symbolic ‘snake’ related shit; shit that you’d struggle to make up, unless you had some insight; some premeditated point to make.
He describes a metropolitan ‘snake’, the Atlantic Bridged brainchild of a Wall St Journalist called Mike Bird.
The ‘snake’; oft-fabled as a representation of deceptive-evil but in serpent-form; a creative and healing force for good.
Birds’ snake, is a “rattle” tailed “viper” of the “London and South East wriggling up to the gaping mouth around Liverpool and Manchester”, covering half the UK population and has “swallowed most of the UK’s Remain voting areas”.
These areas, these “metropolitan elite” political-media Commentariat propaganda quote-trope cities, coincidentally, are the very same cities which have suffered the brunt of austerity-propaganda police cuts, set up to fail, which pretext-preceded the 2017 Springtime for Mayhem ‘terror’ attacks (& Grenfell).
These cities are the most populous part of England that the #BrexitCoup COBRA …hmmmm… Cabinet, have to dominate by military-deployment, a deployment called-in by in-house Metropolitan Police chiefs to provide Military Aid to Civil Police – not Northern Ireland though – in order to force through the #InformationWar coup d’etat of UK ‘democracy’ and consequently, of EU democracy.
(The original planned militarisation was due to be a “Titanic success” in July’17 by a “terrorist attack coordinated on one of our tools” to create #Empire2.0. Ring any symbolic-power bells?)
As such, battle-lines will be drawn on mainland Britain, in the favour of the State, by #ToryAnalytica elite-estate urban-blitzkrieg, after which a new line can drawn in the sand or perhaps even under pre-2018 history.
Now, as if that ‘snake’ oil symbolism isn’t bad enough, this where it get seriously symbolic!
The Head of Sky News, John Ryley, begins with his self-serving bilateral-choice division pretext; “In the past we could rely on conventional maps – national boundaries, the North v South, town v country” before going on to state “these lines are no longer appropriate for a Britain that is fractured, on the threshold of the Brexit revolution, and at the mercy of new cultural and global energies”.
I mean commmmme onnnn!
But wait! He sets his power-play symbolism-phaser to stun!
With even less believability than Bird, Ryley ‘magics’ an entirely new extension – Line 18 – to the rattle-tailed Essex end of the ‘snake’ which in his quoted words “stretches further in a kind of backwards Z, taking in Essex at one end and Glasgow and Belfast at the other one”.
I’d read the piece a couple of times when something jumped out. He describes the ‘backwards Z’ but it isn’t pictorially represented. Ryley’s arbitrarily-drawn line from the south, presumably from Manchester-Liverpool, shows only the Glasgow-Belfast portion.
So the ‘backwards Z’ bothered me. It bothered me because like so much of the UK-domestic ‘terrorist attack’ propaganda output, the ‘backwards Z’ could only be ‘seen’ by suggestion.
[Edit 300518: the TV broadcast version of ‘Line18 Deadly Divide’ goes from Belfast to Glasgow, skimming Manchester to London to “Essex” with the graphic stating ‘Clacton-on-Sea’ “with almost half the population living on this line”. The line could easily have drawn to Brighton to cover almost “half the population” but of course that wouldn’t work for the power symbolism. Most significantly,the ‘Z’ isn’t backwards at all and isn’t verbally claimed as such].
Having a decent grasp of geography I knew immediately Ryley didn’t have anything remotely like a ‘backwards Z’. But conversely, not having a clue if it meant anything potentially symbolic at all, I did that Internet search thing that Tory Analytica and mainstream media are so keen on ‘demonising’ as the source of society’s behavioural misdeeds.
The ‘backwards Z’ is symbolism on fucking steroids!
It’s a ‘Wolfsangel’ (image); a hate symbol which according to the Anti-Defamation League website was ‘appropriated’ by the Nazi’s; “It appeared as part of the divisional insignia of several Waffen-SS units, including the notorious 2nd SS “Das Reich” Panzer Division. As a result, it became a symbol of choice for neo-Nazis in Europe and the United States. In the United States, the neo-Nazi group Aryan Nations incorporated the Wolfsangel into their logo”.
The remainder of the ‘article’; the demonstrable artefact of symbolism, is realigned as a square peg into a round hole; to explain away the actual shit-stirring propaganda Line18 ‘tour’, posing as a people’s champion.
But it’s a #TrojanChampion designed elicit trust whilst feeding into the 6 #DarkTriad ‘emotional-behavioural’ drivers intended to get two sides of everyone and everything; Leavers v Remainers; English v Scots; Majority v Minorities; Whites v Blacks/Browns; North v South; Straight v Gay; Patriots v “Traitors to the people”…
…all to get us all angry, all to get us all to take sides then inevitably, predictably, take to the streets, to murder each other whilst the elite-estate crack open the popcorn, champagne and cocaine and kick-back watching, coordinating, the uniformed working-classes do their tyrannical work for them against the minorities within masses, live, by their ‘military-intelligence-media’.
This might possibly be on the back of #Windrush which after years of #MSM cover-up, they’re now using to reinstall the political-media compartmentalised-firewalls, whilst simultaneously reinforcing the illusion of media ‘veracity’.
So don’t be too surprised if another State-sponsored execution of unarmed black man takes place in heat of spring or summer, or a deep-State spark by false-flag by a 2018 ‘July Crisis’, is triggered during the #TrumpVisit to ‘restore’ the rule of ‘law’; to force through by ‘National Emergency’, an extrication from EU ‘negotiations’ and enforce the pseudo-‘democratic’ #BrexitCoup quote-trope “will of the British people”.
Of course, it could all just be sheer coincidence and my interpretations; the ramblings of a ‘madman’. A ‘madman’ who went to Berlin and warned the Irish Embassy and the Berlin Police on the 250617.
But deep down you know something is seriously wrong about Brexit. And though I might well be wrong on some things Brexit, I’m right about most things Brexit.
Because I know gaslighting when I see it and most certainly when I feel it; when I felt what Goebbels described as ‘invisible propaganda‘.
I’m right about how it was to be delivered in July 2017; I called it #OpFukuglaschu.
Moreover, I’m most certainly right now, regarding the only way hard Brexit can be delivered;
By military force.
Now, if these examples of symbolism have piqued your curiosity, you ought to re-watch and listen to the waves of power-play symbolism from both ‘politicians’ and media ‘news’ presenters during and after the Westminster Bridge ‘attack’.
I suggest as a start point, Quentin Letts commentary, is as good as any ‘Peyote Prince’ (indulge me, it’s from the book).
NB: Do you really trust this shower of gangsters, these pinstriped fascists, to push through the manipulated #VAWG legislation, on the back of a false-flag #PsyOps tsunami of emotionalism; the Women v Men mass-emasculation campaign?
It’s designed to drive this, to break men and boys and steer them like cattle, channeled towards the State ‘pen‘; as soldiers and/or as prisoners; of the mind or of walls.
Either way men will cease to present a threat in any cohesive, significant numbers to the established order of things; to the power, the privilege and the patronage of the Anglo-American, the #AngloImperial, Establishment elite-estate…
A fascist coup is well underway and we’re still making excuses for its narcissistic, Machiavellian, sociopathic-hypocrisy protagonists.
We need to grow up. Quickly.
Gaslighting Gilligan – by Johnny McNeill, a contemporary, dystopian ‘fiction’ about the intrinsic, interconnectedness of personal & political domestic abuse, is free to download from here. It is copyrighted but is free to share as a public service.