by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (© 2017 – free download – released via Berlin on 25th June 2017).
“Ruins, for me, are the beginning. With the debris, you can construct new ideas. They are symbols of a beginning”. Anselm Keifer
In ‘Gaslighting Gilligan’ I try to convey the gaslight-symbolism that unbridled, absolute power has to wave in our faces in order ‘It’ can get its ‘Dark Triad’ fix; its rush.
It’s a self-indulgent drug to them. Which is also why it’s also their Achilles Heel; their ‘Kryptonite’ if you will. It is so because of an out-of-control ego running riot, spurred on by the Id. Because what’s the point of all that having power if ‘It’ can’t be projected? ‘It’ simply cannot exist in a vacuum and therefore the Id, the ‘It’, needs an audience.
Corporates (mainly banks, TV marketing & the film industry), the crumbling, yet dangerous #ToryAnalytica COBRA Cabinet, the Trump Presidency and mainstream media ‘news’ moguls, bosses and presenters – are in on the gaslighting gig.
And their subliminal-symbolism clues are actually quite demonstrably pervasive but unless we can comprehend of their existence; that these Machiavellian, sociopathic narcissists need to project, we remain bovine-oblivious to their drip-fed power, pretexts and preplanned agenda’s…
Edit-insert: Video recorded on 25th June 2018, on the first anniversary of going to Berlin and warning the German Bundes Polizei & Irish Embassy on 250617, of the inevitable #ToryAnalytica coup d’etat militarisation of Brexit and the arrival of a US/UK-led global fascism; “Being in a minority, even in a minority of one, did not make you mad. There was truth and there was untruth, and if you clung to the truth even against the whole world, you were not mad”. Orwell, ‘1984’.
Line 18 – Adam Boulton/Mike Bird/John Ryley & The ‘Brexit Revolution’
When I first saw ‘Line 18’ a month or so ago, interpreting the UK political hostile environment as I do, my immediate thought was that was a take on the fascist ‘Combat 18’, the alphanumerical significance being the ‘AH’ initials of one Adolf Hitler.
However this morning I dug a little deeper to try and find the the origins of how the #Line18 campaign came to be…
In this piece written by Adam Boulton, (link above) on the surface it ranges from the tedious to the ridiculous; it’s easily-forgettable drivel unless we can comprehend that it’s predisposed to be written as a pretext-laden, symbolism-laced, power-trip.
Titled ‘Sky Views: The importance of re-mapping Britain’ it goes into ‘remapping borders’, fighting over said borders and paraphrases Tim Marshall; essentially to blame lines on maps for wars and not the Colonial-Imperialist powers that have always re-drawn such maps by genocide; by ethnic-cleansing Clearances; by starvation, bloodshed, bribery and blackmail.
And by walls too, generally purported to keep potential intruders out; from China to Mexico, when in fact keeping people in and divided; from Berlin to Belfast – has been the entire contemporary point of building ‘walls’.
But then Boulton seems to trivialise current UK-internal borders as “simply descriptive” before he moves into some symbolic ‘snake’ related guff that you’d struggle to make up, unless you had some insight and a specific premeditated point to make.
He describes a metropolitan ‘snake’, the Atlantic Bridged brainchild of a Wall St Journalist called Mike Bird. The ‘snake’; oft-fabled as a representation of deceptive-evil but in serpent-form is a creative and healing force for good – apparently.
But Mike Birds’ snake is anything but ‘good’ and is described as a “rattle” tailed “viper” of the “London and South East wriggling up to the gaping mouth around Liverpool and Manchester”, covering half the UK population and has “swallowed most of the UK’s Remain voting areas”.
These areas, these “metropolitan elite” political-media Commentariat propaganda quote-trope cities, coincidentally, are the very same cities which have suffered the brunt of austerity-propaganda police cuts, set up to fail, which pretext-preceded the 2017 Springtime for Mayhem ‘terrors’ (see from page 223 of the book).
These cities are the most populous part of England that the #BrexitCoup ‘COBRA‘ Cabinet have to dominate by military force, which will be a deployment called-in by in-house Metropolitan Police chiefs to pretext provide Military Aid to Civil Police – not Northern Ireland though – in order to force through the information war coup d’etat of UK ‘democracy’ and consequently, of EU democracy.
(The original planned militarisation was due to be a “Titanic success” in July’17 by a “terrorist attack coordinated on one of our tools” to create “Empire 2.0”. Ring any symbolic-power bells?)
As such, fabricated battle-lines will be drawn and redrawn on mainland Britain in the favour of the corporate-political Establishment, by #ToryAnalytica elite-estate urban-blitzkrieg to divide the working masses from each other and then pit us against one another, after which a new line can drawn in the sand or perhaps even under pre-2018 history.
Now, as if that ‘snake’-oil symbolism isn’t bad enough, this where it get seriously symbolic!
The Head of Sky News, John Ryley, begins with his self-serving bilateral-choice division pretext; “In the past we could rely on conventional maps – national boundaries, the North v South, town v country” before going on to state “these lines are no longer appropriate for a Britain that is fractured, on the threshold of the Brexit revolution, and at the mercy of new cultural and global energies”.
Oh commmmme onnnn! But wait! He sets his power-play symbolism-phaser to stun With even less believability than Bird, Ryley ‘magics’ an entirely new extension – Line 18 – to the rattle-tailed Essex end of the ‘snake’ which in his quoted words “stretches further in a kind of backwards Z, taking in Essex at one end and Glasgow and Belfast at the other one”.
The ‘Backwards Z’
I’d read the piece a couple of times when something jumped out. He describes the “backwards Z” but it isn’t pictorially represented. Ryley’s arbitrarily-drawn line shows an askew yet straightforward ‘Z’ shape.
So the ‘backwards Z’ bothered me. It bothered me because like so much of the UK-domestic ‘terrorist attack’ propaganda output, the ‘backwards Z’ could only be ‘seen’ by suggestion.
[Edit 300518: the subsequent TV broadcast version of ‘Line18 Deadly Divide’ goes from Belfast to Glasgow, skimming Manchester to London to “Essex” with the graphic stating ‘Clacton-on-Sea’ “with almost half the population living on this line”. The line could easily have drawn to Brighton to cover almost “half the population” but of course that wouldn’t work for the power symbolism. Most significant is that the ‘Z’ isn’t backwards at all and neither is it now being verbally claimed as such].
Having a decent grasp of geography I knew immediately Ryley didn’t have anything remotely like a ‘backwards Z’. But conversely, not having a clue if it meant anything potentially symbolic at all, I did that internet search thing that Tory Analytica and mainstream media are so keen on ‘demonising’ as the source of society’s behavioural misdeeds.
And I found that the ‘backwards Z’ is symbolism on fucking steroids!
It’s a ‘Wolfsangel’, a hate symbol which according to the Anti-Defamation League website was ‘appropriated’ by the Nazi’s; “It appeared as part of the divisional insignia of several Waffen-SS units, including the notorious 2nd SS “Das Reich” Panzer Division. As a result, it became a symbol of choice for neo-Nazis in Europe and the United States. In the United States, the neo-Nazi group Aryan Nations incorporated the Wolfsangel into their logo”.
The remainder of the ‘article’; the demonstrable artefact of symbolism, is realigned as a square peg into a round hole; to explain away the actual shit-stirring propaganda Line18 ‘tour’, posing as a people’s champion.
But it’s a #TrojanChampion designed elicit trust whilst feeding into the 6 #DarkTriad ‘emotional-behavioural’ drivers intended to get two sides of everyone and everything; Leavers v Remainers; English v Scots; Majority v Minorities; Whites v Blacks/Browns; North v South; Straight v Gay; Patriots v “Traitors to the people” feeding off our fears and into their divide and conquer strategies – just as it’s always been…
…to get us all angry to serve the elites “Greater Good”, who manipulate and drive us all to take sides then inevitably, predictably take to the streets to murder each other whilst the Etonian cartel crack open the popcorn, champagne and cocaine ready to kick-back watching, coordinating, the uniformed working-classes do their tyrannical work for them against the minorities within masses; and with select propaganda carnage broadcast by their ‘military-intelligence-media’ to perpetuate their militarised regime.
This might possibly be on the back of Windrush which after years of media cover-up, they’re now using to reinstall the political-media compartmentalised-firewalls, whilst simultaneously reinforcing the illusion of media ‘veracity’.
So don’t be too surprised if another State-sponsored execution of unarmed black man takes place in heat of spring or summer, or a deep-State spark by false-flag by a 2018 ‘July Crisis’, is triggered during the #TrumpVisit to ‘restore’ the rule of ‘law’; to force through by ‘National Emergency’, an extrication from EU ‘negotiations’ and enforce the pseudo-‘democratic’ #BrexitCoup quote-trope “will of the British people”.
Of course, it could all just be sheer coincidence and my interpretations; the ramblings of a ‘madman’. A ‘madman’ who went to Berlin and warned the Irish Embassy and the Berlin Police on the 250617.
But deep down you know something is seriously wrong about Brexit. And though I might well be wrong on some things Brexit, I’m right about most things Brexit.
Because I know gaslighting when I see it and most certainly when I feel it; when I felt what Goebbels described as ‘invisible propaganda‘.
I’m right about how it was to be delivered in July 2017; I called it #OpFukuglaschu;
‘Defence Secretary unable to deny Trident nuclear submarines run on same outdated software hackers exploited to cripple NHS systems’. The Independent, 14th May 2017
Moreover, I’m most certainly right now, regarding the only way hard Brexit can be delivered; by military force.
Now, if these examples of symbolism have piqued your curiosity, you ought to re-watch and listen to the waves of power-play symbolism from both ‘politicians’ and media ‘news’ presenters during and after the Westminster Bridge ‘attack’.
I suggest as a start point, Quentin Letts commentary, is as good as any ‘Peyote Prince’ (indulge me, it’s from the book).
Think about it: Do you really trust this shower of gangsters, these pinstriped fascists, to push through the manipulated #VAWG legislation, on the back of a false-flag #PsyOps tsunami of emotionalism; the Women v Men mass-emasculation campaign?
A campaign which sits #Nr5 as ‘Rampant Sexism’ on the ‘Early Warning Signs of Fascism’?Do you trust them to pass ‘Legislation’ that will criminalise men upon a mere accusation of domestic violence?
It’s designed to drive this, to break men and boys and steer them like cattle, channeled towards the State ‘pen‘; as soldiers and/or as prisoners; of the mind or of walls.
Either way men will cease to present a threat in any cohesive, significant numbers to the established order of things; to the power, privilege and patronage of the Anglo-American, the Anglo Imperial Establishment elite-estate.
A fascist coup is well underway and we’re still making excuses for its narcissistic, Machiavellian, sociopathic-hypocrisy protagonists.
We need to grow up. Quickly.
‘Fascism, steeped in pathological hypocrisy, superiority entitlement and inveterate victimhood, is the group-characteristic extension of narcissism and is the Machiavellian-patriotic, militarised business model extension of joint Government and corporate engineered crisis-capitalism’. Characteristics Of An Individual Narcissist & A Fascist State’ (© 2017) https://wp.me/p94Aj4-dZ
‘Gaslighting Gilligan’ – by Johnny McNeill, a contemporary, dystopian ‘fiction’ about the intrinsic, interconnectedness of personal & political domestic abuse, is free to download from here. It is copyright © 2017 but is free to share as a public service.