Although ‘Gaslighting Gilligan’ is written as a ‘fiction‘, everything in it is either precedented and/or it’s contemporary-evidenced and happening right now in front of our faces.
All that differs from what you, the reader, is seeing and what I’m seeing – is interpretation...
I remain absolutely convinced the western world, predominantly the English-speaking Anglosphere, was supposed to have been at war by now as a result of ‘#OpFukuglaschu’, that’s perfect trifecta purpose was to have militarised Brexit on mainland Britain (& Ireland) and been the imperceptible, perennial ‘good guys’ built-up, normalisation pretext for the remaining flows of Middle Eastern oil – specifically Iran’s.
And of course, such a war would need a steady, conveyor-belt cannon-fodder supply of fresh military recruitment meat, for the war machine to gorge on. Which is where you come in…
“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini
‘It’ of course would have been given a patriotic, vengeful recruitment-boost by the action itself but would in the subsequent months and years, been supplemented by decades of pre-planning by propaganda omission, to #MeTooMatrix guilt shame; by corporate-government #WhiteFeatherMedia – an #AusterityArmy of young men as #PatrioticPoverty ‘volunteers’ into a #MaslowsMartyrs military uniform.So, given the original nuclearisation pretext for war, a war which in amongst the ‘nuclear narrative’ chatter was manufacturing consent (Chomsky) for a ‘like-for-like’ retaliatory strike’ and given what most rational and UK Government-suspicious people witnessed in the absolutely inconsistent #ToryAnalytica clusterfuck that was the Salisbury Novichok chemical attack, there remains the only one more card in the Weapons of Mass Destruction perfect trifecta portfolio-pack; a form of WMD that will instil such horror, such fear, that the UK population will be queuing-up to put their fate in the #ToryAnalytica COBRA Cabinets hands – without question.
It’s a form of terror so precedented-contagious that it’ll keep a suspicious world preoccupied trying to maintain law & order in their own countries; a world that would soon need to prioritise themselves and eventually forget the ever-increasingly isolation-island Britain (& Ireland) in geo-physical terms to match its ‘British-patriotic’ political-ideological #AirstripOne fascist stance;
“Britain’s welfare system is so sexist. There is a really remarkable gender dimension to many of the reforms. If you got a group of misogynists together in a room and said ‘How can we make a system that works for men but not women?’ they wouldn’t have come up with too many other ideas than what’s in place.” – Philip Alston, UN Special Rapporteur on Extreme Poverty & Human Rights – November 2018.
The net result will also ensure those responsible for the coming carnage, will never be held responsible and as such will rewrite the subsequent Orwellian ‘Live. Die. Repeat.’ version of ‘history‘ housed in acquiescence-fear to maintain control of future generations; and a history in which like all the best plays takes place over course of Three Acts and will be used to finally, cyclically explain away and this time forever hide their role in instigating global catastrophes in the first place…
‘Gaslighting Gilligan’ by Johnny McNeill; a contemporary dystopian ‘fiction‘ about the intrinsic, interconnectedness of both personal & State-political domestic abuse, was released from Berlin on 25th June 2017. It is copyrighted but is a *free*-to-share public-service PDF download from here. 🇬🇧🇺🇸🇨🇦🇦🇺🇳🇿