by Johnny McNeill – unpublished author of ‘Gaslighting Gilligan‘ (released from Berlin on 25th June 2017).
The Invictus Games – Emotionalised Empowerment Housed In Yellow (& Black) Heroism
“The best propaganda is that which, as it were, works invisibly, penetrates the whole of life without the public having any knowledge of the propagandistic initiative”. ~ Joseph Goebbels
[Post-Edit September 2018: it transpires that the title of the delayed 2017 ‘July Crisis’ ‘#OpFukuglaschu’ militarisation of the subliminally associated #PavlovsPatriots #BrexitCoup, is called…
…#OpYELLOWhammer… And the name of the ‘movement’ it was to put down (had it gone to plan)? The #YELLOWvests. You quite literally couldn’t make it up. But self-appointed Masters of the Universe could. They did].
The Invictus Games came into being in 2014 (the same year Manchester had a local-authority led renaissance ‘Bee’ rebrand; an obscure part of the city’s history that was brought back to life) but I can’t help but think of who really benefits?￼
Sure the athletes who take part but what of those hundreds and thousands of more that aren’t capable? Does the viewing audience think about them? The invisible, limbless men too battlefield broken in body and mind to compete?
So instead of being the one in however many hundreds equipped with the potential to wrap themselves in the Union Flag on a TV platform podium, they have to wrap themselves in a sleeping bag beneath an underpass and beg strangers; members of the public or a DWP/ATOS bureaucrats for sustenance and shelter, the lack of which has the #PatrioticPoverty channelling potential, to steer their able-bodied homeless compatriots into the military.
The people who truly, keep cyclically-perpetually gaining through all of these patriotic displays via these #Emotionalism4Militarism initiatives are the all-powerful Machiavellian British aristocratic establishment elite to;
#Emotionalise #Irrationalise #Patriotise #Weaponise #Militarise #Mobilise from ‘Sports field to Battlefield & Back: Live. Die. Repeat’ – using #WeaponisedWaterfalls too – as part of the wider orchestrated, “moral degradation of the subject populations“; within the contemporary psychosocial engineering ‘Tragedy-Charity Gaslight Ceremony Cycle’.
#ToryAnalytica’s prestigiously-Royalty led (but in Prince Harry’s case I suspect he is himself being used) Commonwealth-staged Invictus Games is a UK ‘Corpolitique’ propaganda monstrosity selling ‘emotionalised-empowerment’, saturated in yellow-striped branding, amplified by black, to re-feed a conveyor belt of fresh generation cannon-fodder into a perennial, global-resources acquisition war-machine.
A yellow submarine of subliminal-subconscious, association-conditioning, steeped in emotionalised-empowerment, principally for the preadolescent & adolescent #HuxleysHeroes audience is my interpretation; because this subliminal ‘yellow heroism‘ is to be found across safety & security, risk & reward elements of the Westminster, Manchester & the various other London ‘terror attacks‘ emergency services & military hero worship being bled in imperceptibly increased concentrations, over the last austerity-decade into already emotionally charged TV-sport arenas…
It’s a similar yellow and striped saturation we see on our rolling TV news whenever there is a terrorist attack or a national tragedy like Grenfell; with the vibrant yellow uniforms of lionised “heroism” and “bravery” of the Emergency and Security Services who have repeatedly “ran towards the danger” by rote media soap-script since the first day of Basic Training for the masses, at the start of the emotional Mayhem; the Springtime ‘terrors’ – on Westminster Bridge; the day the ‘yellow association’ theme I’d been tracking since late 2016, finally made sense.
The colourful-commentary of which, in the immediate aftermath of that particular attack, was reinforced by Quentin Letts as part of the inside power-symbolism joke he spoke of, within the TV screen confines of Sky’s Breaking News – bathed too in vibrant yellow and black branding…
“We saw a thick set man in black clothes come through the gates into the New Palace Yard, just below Big Ben. This man had something in his hand; it looked like a stick of some sort. He was challenged by a couple of policemen in yellow jackets. And one of the yellow jacketed policemen fell down. And we could see the man in black moving his arm in a way that suggested he was either stabbing or striking the yellow jacketed policeman”. – Quentin Letts on Sky News.
So yes, an emotionalised ‘Matrix’ attempt steeped in a simultaneous Schrodinger ‘State’ of fear & stoic fearlessness, has been underway to get us to subconsciously associate the colour ‘yellow’ with #Emotionalism4Militarism as they clearly are doing with the pervasively-consciously audible and visible viewing pleasure of all things ‘British’ augmented by the ubiquitous product placement of the Union Flag – which has even been extended to ‘food produce propaganda’.￼But unlike the consciously-visible red, white & blue Union Flag, this vibrantly-invisible, yellow-subliminal connotation-association seems to have become a ‘coincidental-colour’ as if by an untold, untaught, false-flag chance happening.
Another ‘chance-trend’ of vibrantly-yellow emotionalised-empowerment, just as coincidentally – also happens to be the second and third corporate-choice colour of many a preadolescent boys’ and adolescent teens football and rugby strips – many with stripes – and of course, is the same vibrant yellow branding of BBC Sport…
By the way, anyone seen the latest Kingsman movie…?
“Writing fiction is the act of weaving a series of lies to arrive at a greater truth”. Khaled Hosseini.
Gaslighting Gilligan – by Johnny McNeill, was released from Berlin on the 25th June 2017. It is a contemporary, dystopian ‘fiction’ about the intrinsic, interconnectedness of personal & political domestic abuse. It’s copyright © but is a free to download & share from here as a public service.